copyright the exclusive right to make copies, license, and otherwise exploit a literary, musical or artistic work, whether printed, audio, video, etc. anchor a point on a line clone a duplication of a symbol background layer the bottommost layer in the layers palette graphic symbol used for static images and to create reusable pieces of animation that are tied to the main Timeline button symbol that creates an interactive button that responds to mouse clicks, rollovers, or other actions. resize, flip horizontally/vertically, etc. instance a clone or duplicate of a symbol alignment tool that allows you to align layers on the stage (horizontal center, horizontal right, horizontal left, vertical center, vertical top, vertical bottom, etc.) transformation tool that allows you to transform/change shapes, objects, etc. You can also create a custom preset from any animation you make and reuse GIF Graphics Interchange Format a bitmap image format that supports both animated and static images symbol A symbol is a reusable image, animation, graphic, movie clip, sound file, font or button that resides in the library. library an area in Animate that allows you to store various types of assets (documents, templates, images, etc.) for later use preset a motion tween that is pre-configured that enables you to add animations with a minimal number of steps. Worse still, don’t expect to simply specify any typeface installed on your PC as you could with Flash – the default is those same old web font families of which we’re all so familiar and heartily sick of (although Adobe’s new Edge Web Fonts service may improve matters here).Pasteboard the area around the stage which can be used to have things off screen which can then be animated into the stage color picker tool used to choose colors to apply to text, objects, strokes, etc. It also includes size and font – but forget about advanced effects such as fitting text to a curve, or within an irregular shape (not that you can create one anyway). Formatting includes control over letter, word and line spacing, as well as paragraph alignment and indent. As the help file puts it, “for the time being, it’s safer to use PNG”.Įdge Animate does at least let you add text within the program, although you can edit it only in an awkward little dialog box. Moreover, scalable vector graphic (SVG) images are automatically flattened, so you can’t access their independent elements, which means you’d be better off using JPEG or PNG bitmaps unless you explicitly need resolution-independent scalability. You’d be wrong: the only route is via awkward export and import. The message is pretty clear that you’re supposed to do any serious artwork externally, so you might expect that Adobe has enabled you to cut and paste vector drawings directly from Illustrator into Edge Animate. There are no gradient fills, no textures, no procedural effects, brush outlines, graduated transparency or blend modes. Special effects? A flat opacity setting and a shadow option, or to really impress you can set a different curvature for each corner of your rectangle. From the Properties pane you can choose flat colours for fill and outline of rectangles or ellipses, set the line width (solid, dashed or dotted), and that’s about it. You don’t even get a Brush, PolyStar or even Pen or Path tools – in fact, you can’t actually draw a straight line unless you fake it with a thin rectangle! It’s back to the drawing board alright, but without any tools.Įdge Animate’s formatting capabilities are no compensation, either. Flash Professional’s Deco tool for drawing animated fire or vegetation effects is long gone. So how does Edge Animate compare to Flash? Let’s start with the drawing tools, and you’re in for a shock since there are only three: the Rectangle tool, Rounded Rectangle tool and the Ellipse tool. It costs $499, but to encourage take-up Adobe has added it to the apps available through Creative Cloud and has made this first release free – here’s your chance to give your standards-based web projects a professional edge. The most significant of these is Adobe Edge Animate, which is designed to create the rich, animated, interactive web experience that previously required Flash. Flash in the browser is now rarely mentioned, and Adobe has repositioned itself as a champion of next-generation HTML5, taking Jobs’ advice in launching a range of tools designed to set the benchmark for standards-based web creation. Without Apple’s support, and hence without cross-platform universality, the writing was on the wall, and so the rhetoric and Adobe’s entire business strategy has changed.
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